Critical raw materials

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HREEs

LREEs

Germanium

Borate

Strontium

Natural Graphite

Bauxite

Indium

Lithium

Coking coal

Flourspar

Baryte

Gallium

Hafnium

Tantalum

Silicon

Phosphate rock

Natural rubber

Titanium

Vanadium

Antimony

Bismuth

Berylium

PGMs

Cobalt

Tungsten

Scandium

Phosphorous

Niobium

Magnesium

Supply risk

Economic importance

Research

Practice

Exhibitions

EURO⁠—VISION is an art-led enquiry by
FRAUD (Audrey Samson and Françîcco Gayardo) is an artist duo whose work has been exhibited internationally. Their artistic and …
FRAUD
into the extractive gaze of European institutions and policies, which focuses on the modalities in which resource management shapes and gives corporeality to geopolitics.

The relationship between international relations, trade, economic policy and border security come into focus through the lens of
Critical Raw Materials (CRMs) are resources deemed economically and strategically important for the economy of a sovereign state, and have a high-risk associated with their supply. Criticality is not derived from scarcity, but rather through the covalence between significant economic importance, high-supply risk and the lack of feasible substitutes. In the EU, this has been overseen by the Critical Raw Material Initiative (CRMI) established …
Critical Raw Materials
(CRMs).

In 2008, the 🇪🇺 European Commission 🇪🇺 adopted the
Critical Raw Materials (CRMs) are resources deemed economically and strategically important for the economy of a sovereign state, and have a high-risk associated with their supply. Criticality is not derived from scarcity, but rather through the covalence between significant economic importance, high-supply risk and the lack of feasible substitutes. In the EU, this has been overseen by the Critical Raw Material Initiative (CRMI) established …
Critical Raw Materials
Initiative, which defined a strategy for accessing resources viewed as imperative to the EU’s subsistence. The criticality of resources is measured according to supply risk and economic importance. Policies are drawn up to ensure the continued availability of materials deemed critical. Such policies have led to agreements guiding the biological and geological exhaustion of the Global South. The current list, revised in 2020, includes 30 materials, including Silica, Cobalt Natural Rubber, Phosphate rock, and the newly added Lithium and Titanium.

How can we understand extraction beyond the removal and displacement of minerals – to encompass policies, international treaties and regulations that impose controversial forms of stewardship of natural resources on communities?

EURO—VISION focuses on the inscriptive operations of initiatives such as the establishment of
Free Trade Zones, Special Economic Zones, Foreign Trade Zones, Export Oriented zones, or just Free Zones are one of the many dirty secrets of modernity.1 They are enclaves carved out of national territories that are granted exceptional administrative and/or economic freedoms allowing to circumvent labour rights, environmental law and national taxation. Used as a weapon to …
Free Trade Zones
📦 FTZs 📦, fisheries partnerships agreements 📄 FPAs📄, and de-risking investment tools like
Public-Private Partnerships (PPPs) have been described by developmental economists as budgetary time bombs.1 Technically, they are long-term contractual arrangements whereby institutional investors and asset managers agree to finance and manage certain public services such as hospitals, highways, energy production plants, housing, or the supply of water and sewage - in …
Public-Private Partnerships
🔖 PPPs 🔖.

FRAUD (Audrey Samson and Françîcco Gayardo) is an artist duo whose work has been exhibited internationally. Their artistic and …
FRAUD
proposes to consider issues through the lens of these materials, as well as to incorporate a wider set of ‘materials’, such as labour and fish(eries). We argue that the latter are managed as resources to be extracted, and that understanding them as critical raw materials as defined by governmental bodies helps to understand how their plunder is mobilised and institutionalised. More importantly, this framework enables us to look beyond these practices to the possibility of thinking and doing otherwise. A number of academics, practitioners, economists, lawyers, activists and journalists have participated in the making of EURO⁠—VISION. Their voices, insights and recommendations are included in various forms. Some of these are interviews, available to download in PDF format, others constitute the body of a series of podcasts. The body of work also includes a number artworks and exhibitions that can be viewed through the meta navigation of this site.

How does this website work?

This site presents a research-led approach to navigation. Intended as a growing resource and archive, the various strands of research that have informed each project build paths of exploration. The structure is based on the dendrogram, the most common diagram used to represent machine learning processes, as well as web platform structures. It is also used by the European Union to visualise resource and material scarcity and flow, such as in the Raw Materials Information System, particularly the Raw Materials Scoreboard.

The dendrogram is based on the visual figure of a decision tree, a structure that suggests hierarchical readability. It exemplifies interpretability. As Adrian MacKenzie notes: "the decision tree, despite its evident visual order, does not say anything about how that order was obtained" (2015, 437). It presents the data in a geometrical space that can be cut into segments. Here however, what can be derived from following the decision tree's path, is a set of references and resources that open up a discussion, rather than providing an answer. The path is non-linear, and presents an interpretation, rather than an absolute.

EURion

The pointer is based on the EURion pattern, which is normally used to prevent counterfeiting. Most copiers are equipped with detection software to block the reproduction of a document which contains it. EURion appears on banknotes such as the EURO, the Moroccan Dirham and the British Pound, and its development and functioning are shrouded in secrecy. The pattern and detection algorithm was allegedly patented by Omron Corporation in 1995. The constellation also resembles the Berlaymont’s building plan in Brussels which houses the headquarters of the European Commission, the executive branch of the European Union. The term, coined by security researcher Markus Kuhn, is a portmanteau of EUR and the Orion constellation.

CONTACT

FRAUD (Audrey Samson and Françîcco Gayardo) is an artist duo whose work has been exhibited internationally. Their artistic and …
FRAUD
Audrey Samson & Francisco Gallardo
| else [at] fraud [dot] la | i: @la_fraud |

Acknowledgements

Midsummer Mast and Fields of May are commissioned by Contemporary Art Archipelago as part of Spectres in Change project, funded by Kone Foundation.

Partnerships was produced as part of the 5th Istanbul Design Biennial — Empathy Revisited: Designs for more than one, organised by the Istanbul Foundation for Culture and Arts, and curated by: Mariana Pestana, Sumitra Upham and Billie Muraben.

Jable Pardo - Viele Grüße aus Canaria has received the generous support of the Hochschule für Bildende Künste Braunschweig (HBK) BS Projects programme and from the Canada Art Council.

Euro-vision, or the Making of the Automated Gaze was a collaboration between King's College London's Department of Digital Humanities and artist duo
FRAUD (Audrey Samson and Françîcco Gayardo) is an artist duo whose work has been exhibited internationally. Their artistic and …
FRAUD
, brokered and supported by the Cultural Institute at King’s in partnership with Somerset House Studios.


The EURO—VISION public programme was commissioned by:

RADAR, Loughborough University's commissioning and research programme, as part of their 'Risk Related' programme of commissions.

Arts Catalyst, a nonprofit contemporary arts organisation that commissions and produces transdisciplinary art and research. EURO—VISION is part of their Extractable Matters programme.


EURO—VISION is supported by:

Arts Council England

Acción Cultural Española (AC/E) through the Programme for the Internationalisation of Spanish Culture (PICE), in the framework of the Mobility grants.

We acknowledge the support of the Canada Council for the Arts.

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Data Privacy

March 2021

Our contact details:
FRAUD, trading name of L(" O ")Iiil .. ': '* Ltd
🏚 276 Oak Square, ACME Studio 005
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The type of personal information we collect

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